# Abstractions

Spinning on that dizzy edge (Just Like Heaven, The Cure)

This post talks about a generative system called Physarum model, which simulates the evolution of a colony of extremely simple organisms that, under certain environmental conditions, result into complex behaviors. Apart from the scientific interest of the topic, this model produce impressive images like this one, that I call The Death of a Red Dwarf:

You can find a clear explanation of how a physarum model works in this post, by Sage Jenson. A much deeper explanation can be found in this paper by Jeff Jones, from the University of the West of England. Briefly, a physarum model evolves a set of particles (agents), making them move over a surface. Agents turn towards locations with higher concentrations of a pheromone trail. Once they move, they make a deposition of pheromone as well. These are the steps of a single iteration of the model:

• Sensor stage: Each agent looks to three positions of the trail map (left, front and right) according a certain sensor angle
• Motor stage: then it moves to the place with the higher concentration with some rules to deal with ties
• Deposition stage: once in the new location, the agent deposites a certain amount of pheromone.
• Diffuse stage: the pheromones diffusing over the surface to blur the trail array.
• Decay stage: this make to decay the concentration of pheromone on the surface.

Sage Jenson explains the process with this illustrative diagram:

My implementation is a bit different from Jones’ one. The main difference is that I do not apply the diffuse stage after deposition: I prefer a high defined picture instead blurriyng it. I also play with the initial arrangement of agents (location and heading angle) as well with the initial configuration of environment. For example, In The Death of a Red Dwarf, agents start from a circle and the environment is initialized in a dense disc. You can find the details in the code. There you will see that the system is governed by the following parameters:

• Front and left sensor angles from forward position
• Agent rotation angle
• Sensor offset distance
• Step size (how far agent moves per step)
• Chemoattractant deposition per step
• Trail-map chemoattractant diffusion decay factor

In adition to them (specific of the physarum model), you also can change others like colors, noise of angles (parameter `amount` of `jitter` function), number of agents and iterations as well as the initial arrangement of the environment and the location of agents. I invite you to do it. You will discover many abstractions: butterfly wings, planets, nets, explosions, supernovas … I have spent may hours playing with it. Some examples:

You can find the code here. Please, let me know if you do something interesting with it. Share your artworks with me in Twitter or drop me an email (you can find my address here).

# The Chaos Game: an experiment about fractals, recursivity and creative coding

Mathematics, rightly viewed, possesses not only truth, but supreme beauty (Bertrand Russell)

You have a pentagon defined by its five vertex. Now, follow these steps:

• Step 0: take a point inside the pentagon (it can be its center if you want to do it easy). Keep this point in a safe place.
• Step 1: choose a vertex randomly and take the midpoint between both of them (the vertex and the original point). Keep also this new point. Repeat Step 1 one more time.
• Step 2: compare the last two vertex that you have chosen. If they are the same, choose another with this condition: if it’s not a neighbor of the last vertex you chose, keep it. If it is a neighbor, choose another vertex randomly until you choose a not-neighbor one. Then, take the midpoint between the last point you obtained and this new vertex. Keep also this new point.
• Step 3: Repeat Step 2 a number of times and after that, do a plot with the set of points that you obtained.

If you repeat these steps 10 milion times, you will obtain this stunning image:

I love the incredible ability of maths to create beauty. More concretely, I love the fact of how repeating extremely simple operations can bring you to unexpected places. Would you expect that the image created with the initial naive algorithm would be that? I wouldn’t. Even knowing the result I cannot imagine how those simple steps can produce it.

The image generated by all the points repeat itself at different scales. This characteristic, called self-similarity, is property of fractals and make them extremely attractive. Step 2 is the key one to define the shape of the image. Apart of comparing two previous vertex as it’s defined in the algorithm above, I implemented two other versions:

• one version where the currently chosen vertex cannot be the same as the previously chosen vertex.
• another one where the currently chosen vertex cannot neighbor the previously chosen vertex if the three previously chosen vertices are the same (note that this implementation is the same as the original but comparing with three previous vertex instead two).

These images are the result of applying the three versions of the algorithm to a square, a pentagon, a hexagon and a heptagon (a row for each polygon and a column for each algorithm):

From a technical point of view I used `Rcpp`to generate the set of points. Since each iteration depends on the previous one, the loop cannot easily vectorised and C++ is a perfect option to avoid the bottleneck if you use another technique to iterate. In this case, instead of writing the C++ directly inside the `R` file with `cppFunction()`, I used a stand-alone C++ file called `chaos_funcs.cpp` to write the C++ code that I load into R using `sourceCpp()`.

Some days ago, I gave a tutorial at the coding club of the University Carlos III in Madrid where we worked with the integration of C++ and R to create beautiful images of strange attractors. The tutorial and the code we developed is here. You can also find the code of this experiment here. Enjoy!